Title: Tipu Sultan – The Saga of Mysore’s Interregnum (1760 – 1799)
Author: Vikram Sampath
Publisher: Vintage, 2024 (First)
ISBN: 9780670094691
Pages: 904
Around midnight on Sep 7, 1965, in the middle of India-Pakistan war, five battleships of the Pakistan navy surreptitiously sailed to Indian waters and struck the temple town of Dwaraka in Gujarat. The target was ostensibly a radar station installed there. But Pakistan had named this mission ‘Operation Somnath’, so the real intent was clearly to destroy the temple there so that the attack would add one more item in the long list of Islamic invasions on Hindu holy places. The attacking vessels were carefully chosen. They were named PNS (Pakistan Navy Ship) Babur, PNS Jahangir, PNS Shah Jehan, PNS Alamgir and PNS Tipu Sultan. The first four were Mughal emperors and their empire geographically overlapped the territory of modern Pakistan. So, there is an iota of justification in selecting them because the Pakistanis may have wanted to relish their legacy of Hindu-bashing. But what about the fifth vessel, the one named after Tipu Sultan? Tipu’s kingdom was entirely bound by South India and which was in no way affiliated to Pakistan. Then why did they choose to honour this Kannada-speaking South Indian? In the answer to this question lies the true legacy of Tipu Sultan. The shrewd Pakistanis had learnt their history lessons well, unlike the pea-brained Indian ‘secular’ historians who dominated Indian academia who still portray Tipu as a tolerant and innovative ruler and a freedom-fighter too! On the other hand, there is a considerable and growing head of opinion judging the sultan as the Aurangzeb of the South. This huge yet excellent book by Vikram Sampath successfully analyses the interregnum in Mysore between 1760 and 1799 filled by the reign of the father-son duo Haider Ali and Tipu Sultan. The book has 904 pages, 775 of them containing the narrative and others cataloguing the immense notes, bibliography and index. This seems to be the largest book ever on Tipu Sultan.
Both Haider and Tipu did not oust the titular Wodeyar king but ruled as his regents, concentrating all power in their hands. Haider did not possess any daring or generous spirit of the hero. He is better known for the steady pursuit of his aims and the moral flexibility of his means. His career was marked by implacable vindictiveness and gross ingratitude since revenge was profitable and gratitude expensive. He adroitly used the machinery of fraud and force to establish and consolidate his authority. Sampath analyses the contrast in personal character between the father and son. Haider, though treacherous to his benefactors, treated his Hindu subjects with goodwill and toleration. He never allowed any reduction in the allowances of temples and even ordered against cow slaughter (p.79). He engraved images of Shiva and Parvati in the newly minted Haidari pagoda coins he introduced in Bidanur. He always dishonoured his promises which included forcefully appropriating the wife of the Prince of Bidanur who was his ally and working closely with him for securing the city against enemies. In battle, he was very firm and ruthless. During the Malabar invasions, Haider offered five rupees to anyone who brought him the head of a Nair that was able to fight; if it was an old man, he gave four rupees and if a boy, three. A price of three rupees was also paid for every Nair woman captured alive (p.107) for sexual slavery. His carnal lust for women was notorious and there was no level to which he would stoop to satisfy his desire. Haider employed nomadic women playing the drum with songs to roam around the country. They collected information on what people thought of him and also about beautiful women in the locality. Haider’s men would then go to the suggested house and brought these beauties to his harem either through coercion or wilful surrender. Sometimes, he ‘graciously’ permitted them to go back to their parents after using them or partitioning them amongst his followers (p.270).
There was much contrast between Haider and Tipu, both physical and mental. The father was fair in complexion like a Persian while the son was exceedingly dark. In some other books, there are even references to him resembling a Siddhi – a descendant of Africans who worked in the royal household. Tipu was imparted a strict religious education which Haider accused as to make him fit for a moulvi than a ruler. Haider also lamented prophetically that the religious bigotry imparted to his teenage son would cause the ruin of their kingdom. True to his father’s concerns, Tipu decimated in sixteen years all that his father conquered in twenty-three years, while not adding anything to his inherited domain. Tipu was not even as brave as he is sometimes made out to be. Of course, he died with a sword in his hand and in battle but that was the immediate outcome of a hopeless situation when the enemies suddenly charged through a breach in the fort walls while he was inspecting it. He was scared of the confederate forces marching to Srirangapatna in the Third Anglo-Mysore war in 1791. He had frescoes and caricatures painted on the outer walls of the town featuring a tiger seizing an Englishman, a horseman cutting off two British heads and the Nawab of Arcot – his enemy but a British ally – in chains. When the opponents neared the capital, he quietly whitewashed it all (p.458). While Haider’s perversities may be excused in view of the mores of the time or even to human frailty, Tipu’s conduct was nothing but monstrous. Tipu thought out novel ways of killing infidels. He ordered 700 families of Vaishnavite Brahmins called Mandyam Aiyangars to be locked inside the Lakshmi Naramsimha Temple in Srirangapatna and let in armed soldiers and elephants into the crowded premises at night. Many of the victims were trampled to death on the eve of Deepavali festival. The reason for this massacre was that one of their caste-men – who was not in the punished crowd – plotted against the sultan. In Calicut, he devised a diabolical way of killing very young children along with their mothers. First the mothers were hung, followed by their children similarly hung from their mother’s necks (p.730). The book includes a glance on Tipu’s register of dreams in which he diligently wrote down his dreams and interpreted them. These also show a deranged mind vehemently wishing for the extermination of all infidels. Sampath also records a few instances in which he acted to the contrary such as patronizing the Ranganathaswamy Temple in the capital and Sringeri Math. But this was after his defeat in 1792 and was more of an effort to rally his Hindu subjects to his cause.
Tipu’s claims to be a freedom-fighter are examined in this book. The only logic behind this fantastic assertion is that he fought against the British. But what he fought for was only his personal wealth in the kingdom which he ruled. He was materially and spiritually allied to foreign powers all the time. Tipu sent an embassy to Caliph Abdul Hamid I in Istanbul and obtained permission to assume the title of an independent king of Mysore. The diary of this embassy titled Waqai-i-Manazil-i-Rum compiled by Mohibbul Hasan was reviewed earlier here. His embassy to France seeking military alliance and partitioning of Indian territory failed to impress Louis XVI only because he was reluctant to antagonize the British. The diplomats were then politely asked to leave. Two of the leaders of the mission – Akbar Ali Khan and Osman Khan – were put to death by Tipu when they came back home. Haider was even more unprincipled in the case of alliances. In 1764, he sought alliance and help from the British at Bombay when he was besieged by Peshwa Madhava Rao. Haider offered the entire sandalwood and pepper trade of the coast to the British and to cede lands north of the Tungabhadra river. Here again, the British were ambivalent as they were wary of offending the Marathas. So much for freedom-fighting!
The book includes a comprehensive review of Mysore’s wars with her neighbours and foreign powers in the four decades after 1760. This seems to be the time when modern Tamil Nadu was completely under the yoke of external rulers like the Nawab of Arcot, governors of Nizam, the Mysore sultans, and the Anglo-French. Mysore’s battles had a profound impact on the twists and turns of Indian history in this century. The First Anglo-Mysore War was the instance that shattered the myth of the invincibility of European powers against an Indian force. Sampath has included many gruesome details of Tipu’s suppression of the natives of Malabar and the inhuman atrocities he inflicted on them in 1789-90. This was in addition to torture, murder, pillage, rape and religious conversion on a large scale. Finally, all powers in the region – British, Nizam and Maratha – joined hands to fight Tipu in the Third Anglo-Mysore war. Governor General Lord Cornwallis himself led the forces. Tipu was totally defeated in the war and was forced to cede half of his kingdom to the victors. As a surety for the pending payment of war indemnity, two of Tipu’s sons, aged four and five years, were handed over to the British as hostages. They returned to their father only after two years when the payment was made in full. After this humiliation, Tipu was not allowed to strengthen his forces. The Allies were waiting for a ruse to oust him. In a sense, his position was comparable to that of Saddam Hussein after his defeat in the First Gulf War in 1991. Alleging that he possessed weapons of mass destruction, he was defeated in 2003 and killed. In a similar vein, Tipu was alleged to be forging links with the French which was in violation of the 1792 ceasefire treaty. The British and Nizam combined their forces and defeated Tipu again in the Fourth Anglo-Mysore War in 1799. Tipu himself died defending his citadel. While there was widespread discontent and treachery against Tipu, his own bad leadership, terrible follies, missed opportunities and lack of strategic moves at critical points cost him dearly in the decisive battle.
The book has given great care to see if Tipu can be termed a tolerant ruler at least in the medieval sense but concludes with a negative response. The sheer discrimination of his subjects on the basis of religion was a shame to humanity. Rule 73 of Tipu’s revenue code stated that persons who converted to Islam were entitled to a discount of half of the assessed revenue if he was a farmer. If he was a merchant, his goods shall pass tax-free (p.677). The author also debunks the efforts of modern Left-Islamist historians to add a secularist sheen to the image of Tipu. Several misrepresentation made by Mohibbul Hasan are called out at various points in the book. The atrocities committed on the people of Malabar or Coorg or the Mangalore Christians or Mandyam Iyengars definitely fall in the modern definition of genocide. Sampath concludes that that all kings were violent and all wars were bloody is a flimsy, insufficient cover to show that some were indeed more violent than the norms and manifested a deep-seated theological intent to commit these acts (p.768). Tipu was a mixed bag of arrogant bigotry and trembling superstition. This extraordinary combination made him show occasional respect for the object of persecution amidst general intolerance. In the final stages, he implored Hindu priests to perform pujas for him. Tipu employed several Hindus in his administration and military and they willingly worked their best for him without making even a single attempt on his life. This glaring irony is actually a reflection of the absence of a feeling of belonging to a common community and the lack of an organization that united the Hindu community. They were divided as always even under extreme oppression and the enemy mercilessly cut them down.
The book is an authentic and unbiased version of Tipu’s history with a long list of references, notes, variety of sources, citations and bibliography. Many of the observations made by the author naturally follow from antecedent events which ‘secular’ scholars are loathe to write down even though true. The book is adorned with an excellent foreword by noted Kannada author and historian S. L. Bhyrappa in which he thunders with indignation whether the nation can reinforce secularism by a false portrayal of history. The book gives more prominence to battles that readers get a feeling of always standing on the battlefront. But that was the nature of Tipu’s political policy. The book includes some rare paintings of major personalities produced during Tipu’s rule or immediately after his fall. The author has given some attention to reproduce samples of oriental fascination of British art, theatre, poetry, prose and literature on the subject of Tipu Sultan.
The book is highly recommended.
Rating: 4 Star