Title: Ashoka –
The Search for India’s Lost Emperor
Author: Charles Allen
Publisher: Abacus, 2013 (First published 2012)
ISBN: 978-0-349-12238-0
Pages: 425
Ashoka
is India’s greatest monarch, ever. He unified India by integrating the numerous
petty kingdoms in the post–Vedic period. Stung with remorse after a cruel
battle against Kalingas, he followed the precepts of Buddhist Dharma (moral
law) and renounced needless violence. His example continued to simulate great
minds in conquering contemporary issues. Ahimsa (non–violence) carried forward
by him helped mould the mode of protest of the Mahatma against the British. He
presided over the seeding of a written script for Indian languages for the
first time. The Brahmi script, in which Ashoka caused rock and pillar edicts to
be written, developed into modern Indian scripts. In short, in whichever way
you look towards him, the mark of nobility and greatness adorns the person of
Emperor Ashoka. Curious it may seem that knowledge of this great emperor not at
all existed in this country just 250 years before. Devastated by 700 years of
Islamic rule, all traces of the country’s past had been obliterated in a tirade
of destructive jihads. Charles Allen describes the thrilling story of tracing
Ashoka and his legend through rocks, boulders and monastic remains scattered
over jungle and country. It is also a tribute to those scholars in the British
raj who maintained a benevolent and even admiring outlook towards the nation
they were called upon to administer. The history of Ashoka was unearthed by
these untiring savants who fought all odds – manmade as well as natural – to make
the flower of knowledge blossom. Charles Allen is the right person to narrate
this tale; in the delightful fashion of his many other books like Soldier
Sahibs (reviewed earlier in this blog) and God’s Terrorists. With this
book, Allen has proved that he is as responsive to Indian tastes and as
enjoyable to read as William Dalrymple.
The
genealogy of Mauryan kings is now taken for granted, and few of us know about
the painstaking and pioneering research that went behind establishing it. Oriental
scholars among the East India Company officials, the most notable among them
being William Jones, who established the Asiatic Society, was behind the novel
initiative that caused even ridicule among his peers. This occurred around the
end of the 18th century when all references to India’s pre-Islamic
past had been obliterated by centuries of ruthless Islamic rule. The iconoclasm
began in 1194, when Mohammed Bakhtiyar, a general of the slave-king Qutb-ud-din
Aibak razed the great vihara at Nalanda to the ground and set the entire
library on fire, after ensuring that there were no copies of the Koran in its
shelves. It is said that the library had an immense collection of books that it
took months to burn all books and the dark column of smoke was visible from
miles afar. Buddhism, already crumbling at that time due to lack of patronage,
found its coup de grace from Muslim invaders. All historical references to
Buddha and the Mauryan dynasty faded from history and Ashoka’s pillar edicts
ended up in Sultans’ construction projects. Matters stood idle at that for 400
years, when the intellectuals in East India Company’s employ began to wonder at
the strange script that looked like ancient Greek, but totally undecipherable.
Tales from epics and legends were collected and synchronized in chronology from
Greek classic writers like Arrian, Strabo and others. Chandragupta was thus
identified with the Greek Sandrocottus.
The
story of how the script used in the inscriptions was deciphered provides an
exciting account of historical secrets succumbing before ingenuity and intuition.
The script, Ashokan Brahmi as it is called, looked like proto-Greek to the
scholars. As several edicts were discovered from various corners of the
subcontinent and copies taken, material was growing, but it took a supreme
intellect to open the doors of knowledge. James Prinsep, an assayer in the
Calcutta Mint and secretary of the Asiatic Society of Bengal succeeded in 1837
to read the lines etched in rock – the last time anyone had done it was 2000
years in the past. Prinsep unlocked the Brahmi script, which was the precursor
of most Indian scripts. The logical pathways which Prinsep traversed in his
discovery are clearly detailed in the book. But one crucial error crept in. In
most of the edicts, the text began with the lines devanampiya piyadassi laja’
(king Priyadarshi, beloved of the gods spake thus). Unfortunately Prinsep
identified the name with that of King Devanampiya Tissa of Sri Lanka, who was
converted to Buddhism by Ashoka’s mission involving his son and daughter,
Mahinda and Sanghamitra. It was George Turnour, another oriental scholar
stationed in Sri Lanka correctly identified Ashoka with Piyadassi, based on
references from an ancient chronicle ‘Dipavamsa’. Both Prinsep and
Turnour, however died young within five years of the revolutionary feat. Both
were in their early forties.
Alexander
Cunningham, the first director of the newly constituted Archeological Survey of
India amassed legendary status by his efforts at reconstructing the Mauryan
past. The travelogues of Fa Hsien and Hsuen Tsang, two Chinese travelers who
came here in the 5th and 7th centuries respectively, came
out during this period. In a result that is nothing short of astonishing,
archeologists were able to pinpoint the locations of ancient cities and
monasteries described in the Chinese works, based solely on the directions
given in those books. Cunningham silenced the skeptics who still refused to
accept that the creator of all those rock and pillar edicts and rock
inscriptions was Ashoka, clinging on to the argument that King Piyadassi,
mentioned in the epigraphs might not be Ashoka. But countless references in
ancient religious texts like the Mahavamsa, Raja Tarangini and Ashokavadana
confirmed the point. To cap it all, at Girnar and Maski, an inscription was
found in which the name ‘Ashoka’ found mention. The flame lighted up by English
scholars was soon taken up by Indians themselves and savants like Ramakrishna Bhandarkar
contributed a great deal.
Charles
Allen describes a lot of books that helped in writing the chronicle of Ashoka after
2000 years since his time. Such fine introduction would go a great deal in familiarizing
serious readers to delve deeper into the story. To mention a few crucial works
include Legend of King Ashoka by Eugene Burnouf, Taranatha’s History
of Buddhism in India by Vasili Vasiliev, Great Tang Records of
the Western Regions by Hsuen Tsang and A Record of Buddhistic Kingdoms by
Fa Hsien. We learn with enthusiasm that the Chinese monks mention Ashoka by the
name Wuyou Wang, which means ‘the king not feeling sorrow’ in Chinese, which is
the exact translation of the Prakrit original, Ashoka (without shoka). Also, we
note Ashoka’s reluctance to mention the Kalinga war in rock edicts situated in
the erstwhile Kalinga state (modern Orissa). Both in the Dhauli and Jaugada
edicts, three edicts (11 to 13) dealing with the war, are missing. Probably the
emperor wanted to spare the emotions of the vanquished people, as many edicts
were commissioned within a few years of the war. We also note with pride the
priorities of a monarch who valued his subjects much.
The
author portrays Bakhtiyar’s devastating raid and arson at Nalanda in 1194 in
heart-breaking detail. He quotes from Minkaj-ud-din’s Tabakat-i-Nasiri that, “the
greater number of the inhabitants of that place were Brahmans…and they were all
slain. There were a great number of books there; and when all these books came
under the observation of the Mussalmans, they summoned a number of Hindus that
they might give them information respecting the import of these books; but the
whole of the Hindus had been killed…When that victory was effected,
Muhammad-i-Bakhtiyar returned with great booty and came to the presence of the
beneficent Sultan Kutb-ud-din Ibak and received great honour and distinction”
(p.4).
The
book is very interestingly written and a page turner. It is endowed with an
excellent collection of plates illustrating the edicts, sculptural works and
digging sites as it were found in the 19th century. A comprehensive
index provides cross references. Those who want to have a books with a little
more depth may turn toward Romila Thapar’s Ashoka and the Decline of the Mauryas, reviewed earlier in this blog.
The
book is highly recommended.
Rating:
4 Star
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