Title: The
Runaways
Author: Fatima Bhutto
Publisher: Penguin Viking, 2018
(First)
ISBN: 9780670088515
Pages: 422
Apart
from the religious divide that separated the newly born states of India and
Pakistan in 1947, a distinct contrast in the running of both countries was seen
right from the beginning. Even though Pakistan professed its adoption of
democracy, what they had in effect was a form of feudal aristocracy polished
for popular consumption and easy digestibility for the liberals. A few
super-rich families controlled the destiny of the country, with their
strangulating hold on the all-powerful army and bureaucracy. The Bhuttos were
one such family that once controlled almost half the cultivable land of the
southern province of Sindh. Fatima Bhutto is the daughter of Murtaza Bhutto,
niece of Benazir Bhutto and granddaughter of Zulfikar Ali Bhutto. She is an
easily recognizable Pakistani writer and her memoir titled ‘Songs of Blood and
Sword’ was reviewed earlier here. In this book, which is a novel, Bhutto
presents a tragic sequence of events that drew three impressionable Muslim youths
into jihad sponsored by the Islamic State in Iraq and Syria.
Bhutto’s selection of the cast is
admirably representative. All the three – two boys and a girl – have lost their
roots in the society they live and manage to push a forlorn existence just by
doing nothing worthwhile. One is a second-generation Indian Muslim boy living
in England, who is enraged by the apathy shown by the British people to the
immigrants. His father migrated to England early on and was quite content with
having received admission into the society. But the second generation wants
assimilation, which is not forthcoming. The other boy is the son of a Pakistani
aristocrat who lives in Karachi in an artificial bubble, insulated from the
scum of the city by posh homes, elite restaurants and luxury cars. Lack of
proper guidance leads the boy to fall for shallow relationships which is taken
very seriously by him, thereby becoming a puppet of fate in the larger scheme
of things. The third character is a Christian girl in the Karachi slums. Being penniless
and belonging to a minority community means hell in Pakistan. After recurring
abuse and humiliation by her peers, the girl and her brother assume Muslim
names at first and then have to convert to that faith, just in order to obtain
the status of a human being that is automatically granted to citizens anywhere
in the world. All three discontented youths end up in the lure of Islamic
terrorism like moths fluttering into the flame. Bhutto has maintained a very
relevant and convincing plot in the novel.
The author’s credentials as a
secular intellectual is impeccable, yet she has provided considerable leeway to
sympathizers of jihadism. All educated Muslims appear to be nostalgic about the
Moorish kingdoms in the Iberian Peninsula which Islam had won and conquered in
the first century after the religion’s birth. But they were defeated and
evicted in the fifteenth century by Christian forces. The fact that not a trace
of Moorish culture is seen today in Iberia is mourned even by moderate Muslims.
They forget that the Islamic invaders had done exactly the same thing in the
lands that fell under their horses’ hoofs. Hints that suggest cultural
alienation of youths drive them to radicalism look like apology to jihadism.
There are Hindu, Buddhist and Jewish migrants living in Europe who are also
subjected to the same treatment, but they don’t queue up to join terrorists.
The whites are accused of not being able to understand the migrants and their
struggles. This may be true, but then again, they didn’t force the migrants to
leave their home country in the first place!
The ISIS terrorists shocked the
world through their explicit video clips of beheadings, shootings and burnings
alive. They have proved themselves to be inhuman monsters who don’t deserve an
iota of mercy or empathy from the civilized world. However, this book portrays
them as excitable teenagers who anguish over the low speed of their data
connection on their mobile phones in the middle of the desert. All of them are
addicts of social media, which again makes them identifiable with the other
youth.
The author’s observation that the
‘only way to look at powerful societies is through the people they excluded’ is
prescient and original. So is the wry comment that the youths’ life was marked
only by its unremarkability. The book
contains such nice references readers can carry in their minds. The author also
paints a colourful picture of liberated Pakistani women in England and the
moral wreck caused by Birmingham grooming gangs in which gangs of Pakistani men
and boys sexually abused British women in a systematically organized manner.
Bhutto makes a dig at India when she
says that ‘the bacterial disease of trachoma, spread by flies was eradicated in
most of the world, even India, but was still knocking around in Turkey’
(p.158). This is mild and pardonable, coming from a person whose grandfather
was supposedly willing to eat grass to have a nuclear bomb to match India and
to fight it for a thousand years. However, the irony of his judicial murder committed
by his own countrymen within a decade of this speech is profound, which
displays the insignificance of Pakistan’s politicians when the army is poised
against them. This novel is structured in a descriptive style, with the
author’s presence felt in every page. This makes the story unfold in a rather
forced way as the author never recedes into the background. This plan leaves
the plot with too few conversations between characters. A strong argument
against this work is the humanization of inhuman terrorists. She paints them in
so casual a tone that a comparison is unwittingly made by readers to William
Golding’s ‘Lord of the Flies’. It tells the story of a group of children who
get trapped in an island by shipwreck. At first, they form a disciplined
organisation to arrange efforts to get the attention of passing ships. But as
time goes on, hope fades and despair sets in, making their descent into the
abyss of barbarism. Reading about the radicalization of two innocent youths as they
walk on a mission to cross the Iraqi desert reminds one of Golding’s masterpiece.
The book is recommended.
Rating: 3 Star
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