Title: The Man Who Invented
History – Travels With Herodotus
Author: Justin Marozzi
Publisher: John
Murray, 2009 (First published 2008)
ISBN: 978-0-7195-6713-1
Pages: 326
Justin Marozzi is a gifted
travel-writer cum historian, whose book, Tamerlane was one of the very
first reviews to be published in this blog. He has written widely on the Muslim
world, travel and exploration. Being a former journalist, his acumen to
interact with local society wherever he travels stands out in a commendable
way. In this book on Herodotus and his book, Histories, Marozzi
establishes with the ease of a journalist that Herodotus, widely known as the
Father of History, was also the world’s first travel writer and foreign
correspondent, a pioneering geographer, fearless explorer, and above all, an
irrepressible storyteller. In short, a Justin Marozzi Senior, who seems
to be the functional ancestor of the author. Marozzi takes the reader back to
the ancient world with travels to Greece, Turkey, Egypt and war-torn Iraq to
produce a sensational blend of travel and history in the true spirit of the man
who invented it.
Living in 5th century
BCE Greece, Herodotus compiled information from all corners of the human world
known at that time and presented it in a delightful way through his book Histories,
which heralded a new era in prose-writing. His book is not admissible now in a
compendium of made-to-rule history books on account of numerous tall tales, unsubstantiated
facts and simple hearsay contained in its pages. But, as the founding source of
the great river that is historical knowledge, it is worthwhile for enthusiasts
to read it and get carried away on its wings across an ocean of time. Herodotus
is not to be believed in his entirety. There are folk tales, hearsay, wild
imaginations and prejudices, but it also brings forth a beacon of cultural
tolerance rare in so early a sample of writing. He advocates peace, as “only
a fool will take war for peace, for in peace sons bury fathers, whereas in war,
fathers bury sons”. Acceptance and toleration of other people’s beliefs and
religions is imperative in the work, as “every man thinks the religion he
was brought up in to be the best, hence only a mad man will go about rubbishing
other faiths”. While bestowing such anachronistically enlightened thoughts
on the one hand, Herodotus writing style is often titillating and is often of a
salacious character. He leaves no chance to write about weird sexual practices
in other countries which are clever ploys to get the attention of his listeners
riveted to his work.
The war between Persia and Greece
forms the backbone of Herodotus’ narrative. Great emperors Cyrus, Cambyses,
Darius and Xerxes tried to bring the Greeks to submission, but failed. Darius’
mighty army was defeated at Marathon by a miniscule Greek force and sent
packing along the Aegian. Xerxes attempted a land-based attack in 481 BCE.
Though he won a Pyrrhic victory over the Spartans led by Leonidas at Thermopylae,
he suffered heavy setbacks at Salamis and Mycale prompting a hasty retreat back
home. Persian ambition vaned and Greeks were free – to continue infighting
among the city states. Marozzi argues that Greek victory over Persia in 479 BCE
marked the beginning of the concept of ‘West’ as we know it today. Democracy
and freedom of Greece is said to have triumphed over despotism and emasculation
of Persia. Readers are free to contest such outlandish assertions.
Marozzi begins his journey from
Bodrum, Turkey which was the ancient Halicarnassus, Herodotus’ native place.
Today’s Turkish population in the city seems to have lost track of their old
compatriot. The historian has become history in his own land and the only
things which remind a traveller about the great historian now is an obscure
traffic junction and a bust in front of the city’s archeological museum, which
holds some remains of the Mausoleum of Halicarnassus, which was an
architectural wonder of ancient times. Then comes Babylon, now in Iraq, the
cradle of civilisation described by a starry eyed Herodotus, though appreciated
more for the peculiar customs of the Babylonians – read sexual. The author’s
travels to Baghdad and Babylon coincided with the aftermath of the second Gulf
War which overthrew Saddam Hussein. There were general looting during
transitional period to new regime, the antiquities then came into the hands of
allied troops. Unfortunately, the Polish troops which had Babylon under their
command damaged several sites irreparably, to make way for a vehicle parking
lot. Apparently, heritage is being damaged in modern times too, even by Western
forces.
Herodotus was dumbstruck when he
saw Egypt. The pyramids simply fascinated him and the Nile beseeched him for
attention. He gives accurate dimensional details of the Great Pyramids and
waxes eloquently about mummification processes, which seem to be a faithful
copy of the ancient processes. Regular flooding of the Nile annually which
ensured fertility of the land, beguiled him to speculate about its possible
sources. Herodotus had long talks with temple priests and he reports about the
oracle at Siwa, which Alexander visited a century after he did, to ascertain
whether he was indeed the son of God. Naturally, the oracle acquiesced.
Marozzi finally turns to Greece,
whose virtues even the cosmopolitan Herodotus extolled. Amidst the
island-hopping crisscrosses on the Aegean, he travels far and wide to visit
remains of ancient monuments described by the historian. On the journey, the
author notes with mild astonishment at the loss of toleration to neighbouring
Turkey and its culture, witnessed among the modern Greeks. It may be true that
Greece was under Ottoman rule from 1453 to 1821, and the war of independence
with the Turks was violent, but the religious prejudice which colours the deals
between modern-day neighbours is so wide a chasm that can be crossed easily.
Islamophobia is actually fostered by the Greek Orthodox Church, the state
religion, so that not a single mosque is allowed to be erected in Athens. This
is indeed a blot on the glorious heritage the modern nation purports to uphold,
but such are the times.
The book is well endowed with
excellent prose. Marozzi’s superb diction is dazzling when compared many other
titles in the same genre. The style is so humorous, so easy flowing and
demanding so untedious an attention from the reader. As well as recounting the
excellent structure of ancient architecture, Marozzi excels himself in
structuring long sentences without batting an eyelid, yet we find it
impressive. An example is, “Herodotus’ first-person comments and asides
reveal an educated, enlightened, adventurous, endlessly curious man with a
dancing intellect and a felicitous turn of phrase, someone with a powerful
sense of wonder and an all-encompassing humanity, brimming with relentless
wanderlust and an irrepressible storytelling zeal, revelling in his fizzing
sexual curiosity and fierce tolerance of other cultures, buoyed along on the
currents of historical inquiry by his continent-spanning humour, ranging wit
and questing wisdom” (p.9). Wow, seems to be another Toynbee is in the
making! Good photographic plates interspersed with the text is quite relevant
and adds a touch of reality to the whole endeavour.
Some very negative points must also be indicated. In order
to make the venture appealing to readers, Marozzi follows the same approach
followed by his ancient friend – resort a lot to references of a sexual nature.
It must be mentioned sadly that the author has crossed the limit on at least
two or three occasions where I find the text inappropriate for young readers
(of course, taste or tolerance to such matters are purely subjective!). It is
very sad to realize that Marozzi has denied our young readers the services of a
very informative and interesting book with one or two of his indiscretions.
Besides, the section on Greece appears to be somewhat purposeless. The sites he
visited are uninviting, and narration drops to the level of a bit tedious,
probably as an echo of the mediocrity of the subject.
The book is highly recommended,
subject to the caveat on the above paragraph.
Rating: 3 Star
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