Title:
Timekeepers – How the World Became Obsessed with
Time
Author:
Simon Garfield
Publisher:
CanonGate Books, 2016 (First)
ISBN:
9781782113195
Pages:
349
As
soon as man freed himself from the vagaries of hunting-gathering and settled
down for a sedentary life with agriculture, he became slave to time in the form
of seasons and months. Accurate reckoning of time was necessitated for sowing
and harvesting. The timekeepers were usually priests and astrologers who carved
out a prominent place in society on account of the esoteric knowledge at their
disposal. With his progress to urban life and technology, time continued to
exert its mastery over man, but in lower chunks than before – in days, hours and
even minutes! Clearly, the pace of life has speeded up over the ages in
response to what is required from each person. Even though the standard of
living has undoubtedly improved with each new wave of advance in technology and
healthcare, it is questionable whether its quality has shown any upward trend.
Forced to lead a mechanical life in sync with the tick of a clock takes away
the vitality and intimacy of our everyday lives. This book examines the concept
of time on human societies and analyses how people write the modern story of
time in their own way. Simon Garfield is the author of several books and writes
in newspapers and journals. He was named ‘Mind’ journalist of the year in 2005.
It
is no wonder that time is the most commonly used noun in the English language
considering its paramount importance to society. What is curious is the attempt
at reform in time reckoning after the French Revolution. The French were
obsessed with the metric system as a unit of measurement and wanted to extend
its usefulness in computation to time as well. A new 10-hour clock was devised
in the aftermath of the Revolution in which each hour was divided into 100
minutes. Quite unlike the system’s wide acceptance in the case of distance and
weight, the 10-hour clock didn’t gain any traction whatsoever and was quietly
dropped. Other strange contraptions like two minute-hands were also seen in the
US.
The
book gives a good description of the influence of railways in standardizing
time in a country. Earlier, each city synchronized its local time with sunrise.
Consequently, the time in Oxford was 5 minutes 2 seconds behind London time
while Bristol lagged behind by 10 minutes. Evidently, such confusion was not
acceptable to trains that ran between the cities. The railway companies adopted
London time as the standard on which their timetables were set. Initially, this
created problems as some of the wayside stations used their own time.
Eventually, the ‘time’ of the idea had come and even the army too fell in line.
London time was accepted as the standard in the entire country. In 1840, the
Great Western Railway was the first to adopt the idea that time along its route
should be the same no matter where a passenger alighted or departed. This task
was made possible with the advent of electric telegraph the year before, with
time signals from Greenwich being sent directly along trackside wires. In 1880,
the British parliament passed Statutes (Definition of Time) Act which made it
an offense to knowingly display the wrong time.
Any
discussion on time wouldn’t be complete without a sampling of the finest
watches made in the world. The Swiss watchmaking industry leads all the others
for the exquisite appeal and unmatched technical perfection of its products. That
explains why the Swiss watches constitute 58 per cent by value of all the
watches sold worldwide, even though they come to just 1.7 per cent by number.
After two centuries, they face the toughest challenge in the form of Apple
Watch which is a smart device. The industry now focusses on the human aspects
conferred by their watches, such as the indication of its owner’s income level
which can afford that expensive watch, the expression of one’s unique
personality and display of his appreciation of the finer things in life.
Garfield addresses the interesting issue of why watch advertisements
consistently show the time 10:10 on its face. This particular time ensures that
the hour and minute hands pointing in opposite directions that makes the face
resembling a ‘smile’. It also shows the position of the date without obstruction,
doesn’t obscure the manufacturer’s label at the top of the dial and forms a
pleasant and balanced appearance. It seems that setting this time by watch
advertisers has nothing to do with Abraham Lincoln’s assassination which is the
subject of an urban legend that says that Lincoln’s death had occurred around
this instant.
Garfield
reserves a large part of the narrative to examine interesting features of how
time has influenced the visual arts. There are tiring details of 24-hour movies
and documentaries that never end. Attempts to decouple people from the rhythm
of eating by embracing a slow process are also catalogued. The information on
these sections is no doubt useful, but only to a somewhat privileged group of
English and American societies. Others would find reading through these
chapters a laborious job. There are many interesting topics the author could’ve
included. The origin of time zones and the history behind them would’ve been
immensely appealing and doing justice to the book’s title. The complexities of timekeeping
with atomic clocks should’ve been described as a counterpoise to how our
ancestors kept time with their primitive devices. Overall, readers get an
impression that the author has not fully utilized all the options available to
him.
The
book is recommended only to aficionados of how to weave time with art,
particularly movies.
Rating:
2 Star
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