Title:
The Sultan and the Queen – The Untold Story of
Elizabeth and Islam
Author:
Jerry Brotton
Publisher:
Viking, 2016 (First)
ISBN:
9780525428824
Pages:
338
Protestant
Reformation in the sixteenth century was a defining moment in the history of
England. Henry VIII’s adoption of the faith which the popish clergy termed as
apostasy forced the country’s destiny to diverge from that of continental
Europe where Pope’s writ reigned supreme. The catholic world devised all means
in their power to browbeat England away from Protestantism. However, Queen
Elizabeth I turned into a bulwark of national pride and prestige. Her subjects
boldly stood behind their monarch in fighting off the forces of Catholicism.
However, England needed to have allies in their war and trade efforts. Who else
can be more apt than the Muslim powers that rimmed the Mediterranean littoral
who were themselves enemies of the catholic states? England soon established
relations with the Ottoman, Moroccan and Persian empires. Trade and cultural
interactions with them flourished towards the close of sixteenth century.
English theater came to be a mirror of public opinion of the impact created by
the increased interchange with Muslims. This book is a summary of the brief
period of Elizabeth’s reign, how England obtained a good commercial rapport
with Islamic kingdoms and how it all tumbled down after the death of Elizabeth.
Jerry Brotton is a professor of Renaissance studies at Queen Mary University of
London. He is a renowned broadcaster and critic, as well as the author of many
books on East-West relations and history of early-Modern age.
Religion
is a powerful factor in state formation and further developing their
interactions. Christianity had an old score to settle against Islam for
conquering the Holy Land. After its ultimately futile crusades, a working
relationship seems to have originated after the fall of Constantinople to
Ottomans in 1453. Close on its heels came the Reformation which rent the
Christian body politic into Catholics and Protestants. All political equations
changed in a few decades. Catholic states under the spiritual – and often
temporal too – guidance of the Pope tried their best to score over their
Protestant rivals, while the Protestants were not averse to enlist the alliance
of the Muslim empires of the Ottoman, Moroccan and Persian to defeat the Pope’s
forces. Brotton begins the book in an atmosphere of intrigue and Christian
fraternal antagonism, when Queen Elizabeth I receive a letter from Ottoman
Sultan Murad III offering to allow English merchants to trade with his country.
Charles II of Spain and the Papal interests lay in the middle of both and hence
treated as a common enemy. The Protestants equated Islamic aniconism in religious
worship to their own iconoclasm that separated them from their Catholic brethren.
Similarly, the Ottomans observed a kindred spirit in the Protestants’ fierce
opposition against Catholic rituals venerating saints and adoring graven images
of Christ and the Madonna. Deriving maximum mileage out of the prevalent
perceptions, the English established trading relations with all three major
Islamic regimes. The book introduces detailed narratives of how the trade
agents faced very heavy odds in foreign lands where they were initially torn
between the hostility of ambassadors of European catholic states and the
condescending indifference of the sultan. Anglo-Ottoman relations began with
the trade concessions obtained by the young adventurer Anthony Jenkinson from
Suleyman the Magnificent in 1554. William Harborne consolidated the trading relations
under Murad III in 1579. England was driven to the wall when Pope Pius V
excommunicated Elizabeth in 1570 and ordered his supporters to isolate and
dethrone her. England orchestrated attacks against the Spanish with active help
of Moroccans, who were in turn became so impressed as to let Elizabeth known by
the affectionate sobriquet of Sultana
Isabel.
England’s
increased involvement in Mediterranean politics produced its echo in the
cultural context as well. English writers were increasingly attracted to
Islamic themes and experimented with a cast of characters which drastically
differed from the established canon. Anti-heroes in the guise of Moors (an
epithet of Muslims that came to be associated with them in the sense of
inhabitants of Morocco) came on the stage with thunderous impact on the masses.
Its greatest influence was seen in theatre. It all began with Christopher
Marlowe’s play Tamburlaine in 1587
and Jew of Malta just three years
later. The floodgates of creativity were opened wide with these sensational
plays. Of more than sixty plays featuring Turks, Moors and Persians performed
in London’s public theaters between 1576 and 1603, forty were staged between
1588 and 1599. More than ten of them acknowledged explicit debts to Tamburlaine. William Shakespeare was
another glorious entrant to this branch of drama that enacted plays which
transcended established boundaries of morality, religion and ethnicity. While
Marlowe emphasized his characters’ relentless will to power, Shakespeare made
historic failures into figures of empathy, interest and pathos. This book
examines several Shakespearean plays with a critical eye to their historical
inspiration. Plays such as Merchant of
Venice, Titus Andronicus and Othello
have a strong Moorish influence on the storyline. Othello, in fact, was a Moor
whose uncertain entry into Venetian aristocracy through his marriage with
Desdemona was marred by the intrigues caused by racial hatred personified in
the character of Iago. Brotton makes a memorable review of these plays and
exposes the defining parameter of its motivation to Mediterranean concerns that
caused a stir in contemporary London.
Strangely,
the Anglo-Islamic alliance collapsed as swiftly as it began. Elizabeth died in
1603 and within a year, King Ahmad al-Mansur of Morocco died of plague and
Sultan Mehmed III of Turkey of a heart attack. James I who succeeded Elizabeth
wanted to resurrect closer ties with Christian kingdoms, catholic or not.
Continental kingdoms supporting the Pope had also learned the hard lesson in
trying to humble the English whose might stood unchallenged in the sea. A quick
rapprochement between England and Spain made the position of Muslim ambassadors
precarious in London. James turned towards the west, to America while the
Ottoman sultan turned east, to Persia as the next battleground to expand their
empires, creating an uncanny inactivity in the Mediterranean. The sharp
polarization on religious lines helped European Christians take a lead over the
Near Eastern Muslims with rapid progress in scientific knowledge and giant
strides in technology. Muslim culture began its downward slide to stagnancy
when they were driven out of the gates of Vienna in 1683. They were never to
raise their heads again in Europe for a long, long time. Islamic motifs ceased
to inspire English playwrights around the time of Elizabeth’s death. Shakespeare
didn’t use Moorish characters after Othello. Brotton paints a closely followed picture
of how the curtain fell on Islamic influence and the era of Orientalism began.
The book includes a good collection of colour plates depicting portraits and
other scenes related to the narrative.
The
book is highly recommended.
Rating:
3 Star